Текст на русском находится внизу страницы, после английского
Part One: The secret floor of Flinders Street Station
Not exactly a secret—just abandoned and off-limits. The station in question is Melbourne’s historic Flinders Street Railway Station. It looks like this:
Not my photo, just something from the internet. Flinders Street Station is one of Melbourne’s most famous landmarks, photographed millions of times. Completed in 1910, it’s a massive three-story building with a basement. The basement has shops, the ground floor is the station itself—packed with stores and restaurants—and the second floor, as far as anyone remembers, is mostly offices. The third floor, though, is where the mystery begins.
When it was first built, the third floor housed a railway training institute with classrooms, a library, a gym, a billiard room, and a grand lecture hall under the station’s iconic dome. There was even a running track on the rooftop.
Before long, the lecture hall was turned into a ballroom—one of the most popular dance venues in Melbourne. During World War II, it hosted regular dances for Allied servicemen. Melbourne, after all, was the headquarters of General Douglas MacArthur’s Pacific operations.
After the war, the third floor started to fall into decline. The training institute moved out, the rooms were occasionally rented for language classes, and the ballroom still hosted dances. But the space wasn’t maintained, and over time, it deteriorated. The last dance was held in 1983. After that, the doors were locked, and for the next 40 years, the third floor sat empty, collecting dust, cobwebs, and stories.
Part Two: The Street Vandal
Born and raised in Melbourne, Tyrone Wright spent his childhood tagging and spray-painting fences and walls. With an aerosol can in hand, he was a menace to the city council and a headache for cleanup crews. But over time, his graffiti evolved. It became more intricate, more striking.
Wright turned into an artist. He co-founded one of Melbourne’s leading street art collectives and took on the name RONE. Before long, his murals were appearing on buildings, silos, and hidden city laneways. His work became internationally recognised.
RONE’s real talent, though, lies in his installations—haunting, immersive recreations of forgotten places. Every detail is intentional: dust scattered just so, cobwebs stretched in the right places, leaves carefully arranged. The result is a world frozen in time, filled with beauty and decay.
Part Three: The Abandoned Floor & The Street Artist
The long-forgotten third floor of Flinders Street Station became the setting for RONE’s most ambitious installation yet.
The theme: Time and Decay. A glimpse into Melbourne’s mid-century past, focused on the working women who once filled these spaces.
A sewing workshop. A post office. A typing pool. A telephone exchange. A pharmacy. A library. Each room looked as if the workers had just stepped out, leaving everything untouched for decades. The result was breathtaking—melancholic, nostalgic, and deeply moving.
I was lucky enough to see it. Camera in hand, I wandered through history. And in the last photo? That’s RONE himself.
Photos from the exhibition:
https://www.flickr.com/gp/
A beautifully filmed video (not mine, but exactly how I would have done it):
https://www.youtube.com/watch?
Секретный этаж вокзала и уличный вандал
Часть первая. Заброшенный этаж вокзала
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